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Ian joins the RAF

September 23, 2010

Well, not that RAF. Between today and 4th October, some of my video work will be on display in the window of Superquinn in Ranelagh village, opposite the Luas bridge. This is one of many artworks deposited in the shop fronts of many retailers throughout the Dublin suburb, as part of the sixth annual Ranelagh Arts Festival.


Fox, 21st Century

July 6, 2010

This is a drawing I made at the end of May for Ireland’s National Bike Week Art Exhibition. It was exhibited in Gallery #1 in Dublin, along with 30 other successful entries on 17th June.

It will also feature in the art exhibition of the Cork Cycling Arts Festival, 19th-25th July 2010. The exhibition takes place in the Unitarian Church, Princes St, Cork city.

In the foreground, a girl on her bicycle and a fox encounter each other in a fictional Dublin suburb, modelled on Rathmines.

Fox 21st Century

Fox, 21st Century - Ian Clotworthy

Copenhagen Report: Back From The UN Climate Conference

January 27, 2010

Originally published in Dublin local newspaper LifeTimes, 27/01/2010

In December, Copenhagen was host to the UN Conference on Climate Change. Rathmines resident Ian Clotworthy went with 25 other Irish people, and thousands from around the world, to support global justice there.

I have been involved for some two years in climate change activism. It is not because of polar bears, but because everything that all campaigners for social justice have ever fought for – food, clean water, shelter, security – is jeopardised by climate change. The conference was pegged to be the most important international meeting since World War II. With this in mind, we arrived in the Danish capital after a 40-hour bus journey on 10th December.

Through friends and from news reports I learned that this summit was scarcely more than a carbon trading fair with a conference attached. The proposals being put on the table by developed countries were led primarily by the interests of large agribusiness and fossil fuel industries. To explore them all would go beyond the scope of this article, but I will give one example of a process that demonstrates that their priorities are all wrong.

Global warming is not only caused by burning fossil fuels. Almost half of world emissions come from changing how land is used. When you drain a bog or fell a rainforest, for instance, the soil releases huge amounts of greenhouse gases. When small farms producing diverse crops are converted into vast fields growing one crop, the same happens.

Biochar is a method of storing carbon in the soil in the form of charcoal. Research indicates that this can improve soil fertility and strip carbon dioxide from the air. Many small-scale farming communities in south India have embraced it. However, governments of the western countries that emit the greatest amount of carbon dioxide favour the worldwide expansion of carbon trading. This creates a market for carbon credits whereby industries can pay other people to cut emissions rather than do it themselves.

The value of credits is determined by the price of carbon. In a place like south India, western transitional corporations would swoop in the moment that the value of credits exceeded the value of food crops. Millions of smallholders would be dispossessed of their land by companies that specialise in planting vast areas with one crop and burying charcoal for the purpose of earning carbon credits.

Events so far suggest that the material to form the charcoal would come from logging rainforests and charring the trees. Peter Read, a major advocate of commercialised biochar, argues that land more than twice the size of India be turned over to producing wood for charcoal, despite the fact that almost any organic waste material, from straw to sewage, can be charred at a local level by the small farmers whose existence and property rights he ignores.

In this way you can see how a good idea that can cut emissions and improve the lives of the majority of the people in the world can be corrupted by vested interests into a scheme that ruins communities and increases emissions. The politicians are willing to play Russian roulette with the only climate we have, but they are not willing to introduce and sensibly regulate real solutions. The priority is profit for a few, not a habitable world for the many.

Klima Forum

In the Irish media the main focus was on Obama, and on the protests outside. But we were not just there to protest. For in the centre of the city, one of Copenhagen’s flagship conference centres was hosting Klima Forum – the Peoples’ Climate Summit. This was a gathering of people working in the global justice movement to share real solutions that can stabilise the climate and empower developing countries to prosper sustainably. Activists came from not only Europe but also Asia and South America. Since this was the one of the most important international meetings that has ever taken place, it was worth coming to share ideas, plans, networks and resources with each other. That way, everyone has taken home something new to build their campaigns.

Towards a People's Tribunal on Climate Justice and Ecological Debt

One of the three Panels of Speakers in the talk, "Towards a People's Tribunal on Climate Justice and Ecological Debt", 16:00-20:00, 10th December 2009

The schedule of the Klima Forum was packed, with about eight workshops taking place at any one time between ten in the morning and eight in the evening for two weeks solid. Topics ranged from the effects of climate change on Central America, protecting land rights, to building a popular movement to discussion of climate adaptation finance to developing countries. There were talks that criticised, such as Why Carbon Markets Won’t Work, and talks that outlined positive alternatives, such as the Transition towns movement that builds a local resilient economy. Examples of the latter can be found in Kilkenny, Kenmare and numerous other towns even here! People are already creating the future in their interests.

All in all, I was greatly inspired by the size and unity of the climate justice movement, of people from all continents rich and poor. From the outset there was a sense of sublime internationalism in the Klima Forum. Fresh ideas and the determination to enact them were sparking off all sides, and solutions that could stop catastrophic global warming and redress global injustice rather than exacerbate it. It contrasted strongly with the show of bickering nation states that exposed serious divisions between rich and poor countries, and caused the failure of the conference.

I was also traumatised by new knowledge of how serious the situation was, and how corrupted by vested interests the negotiations had become. Dr Lumumba Di-Aping, spokesman for the developing world bloc, pointed out that even to accept a further two degree rise in world temperatures (as suggested by the EU) will destroy the livelihoods of millions and cause migration without precedent. To sign on to it would be “a suicide pact for Africa,” he said as he condemned in the strongest terms the document put together by a group of ‘key players’ hastily assembled by Barack Obama to save face at the end of the conference.

So what can be done? The first thing that I would say is that we can’t afford to despair. The stakes are far too high to throw up our hands, especially for young adults like me. German activist Susi Hammel put it well, “we see climate change as a fight for our future, and the survival of future generations is not negotiable!”

Most people with a sensible degree of cynicism never expected much from the Copenhagen negotiations. But I think even more now that our politicians invariably lack the imagination and will to redress the climate mess. Because money in brown envelopes speaks louder than petitions, the only way to deal with such people is through fear. We need a popular movement that will make politicians afraid to treat vested business interests as if they were equal to the survival of my generation.

It is up to us citizens to do this job near where we live. We can bypass politics and start working on future-proofing ourselves directly. The transition town model began in Kinsale and has been growing in Ireland and Britain for the last five years. It offers a credible solution to make our communities stronger, more resilient to recession and oil supply problems, and a better quality of life through all this. There is even evidence that it is starting to influence UK Government policies. This country has had too much doom and gloom, and it is time that we all began to notice and emulate the communities that are doing it for themselves and quietly, inadvertently, changing the world for the better.

In this article I have used many terms that may have been new to you. I have tried to explain them but the topic is a complex one that is poorly understood by most of the media in Ireland. But we are lucky here to have the internet, an incredible resource of information. So if you want to know more, why not search for more information about the issues in this article? Knowledge, after all, is power.

Government Minister Demands Action From Government

December 25, 2009

Irish Minister for Energy Eamonn Ryan TD. This man presides over the continued industrial cutting up and burning of the bogs which should be left alone to bury carbon dioxide and soak up floods. This is Ryan on 5th December 2009, demonstrating for Ireland to promise to cut its emissions along with other EU countries in the COP15 summit in Copenhagen. In other words, he is protesting against himself. I decided to make a very temporary sign beside him using chalk.

Merry Christmas!

“Kevin Myers” in Sculpture in Context

September 5, 2009

Kevin Myers on the Hill

This work, Kevin Myers, was made for the Sculpture in Context exhibition that takes place every year in Ireland’s National Botanic Gardens in Glasnevin in Dublin. The form is of a ship, made of pieces of old goods pallettes and a car bonnet cut in half. It is a physical result of something that I have spent much time thinking about over the last two years: the consumerism involved in the making of art; particularly regarding the choice of using new materials, or re-using old materials to make something new.

woodwind turbine on a boat

The reuse of old materials has traditionally been done in order to avoid the financial cost of buying new materials. This is generally my motive for using them. I am also attracted to the challenge of making something that is good out of what is often discarded in a society as mind-blowingly rich as ours. (That is why people in the third world are often very good at this kind of autonomous recycling.)

the hub

Due to the rise and rise of the media profile of climate change and its entourage of environmental issues – which I think is broadly a positive development – people now assume that if I reuse old materials, I must be making a statement about recycling or the environment. It is worth saying at this point however that all the talk about climate change has had an effect of less than zero on our emissions. These issues are now breeding  a mythology of their own. People become self-righteous about recycling now – as if it is better to recycle goods than to not consume them in the first place.

palette hull

The myth of some green salvation – consumer society continuing as is with wind turbines powering it all – has fused with the myth of perpetual progress to make an unrealistic mongrel ideology, more like a sci-fi fantasy than a credible programme. The inevitable result of a plan so at odds with physical reality is a social and economic shipwreck. This is why the ship resembles a fusion between Noah’s Ark and the Titanic – two boats that are at the centre of influential mythologies. I’m sure you can guess which is which.

the deck

Sculpture in Context is open in the National Botanic Gardens, Glasnevin, Dublin 9, until 16th October 2009. It’s open every day from 9am to 6pm just like the wonderful gardens themselves.

Documentation of NCAD Graduate Show

June 22, 2009

Nearer my God to Thee

Nearer My God To Thee

This performance was executed in early May outside the Thomas St Social Welfare Office in Dublin. I spent time during the previous two months doing casual interviews with newly unemployed people who were claiming benefits at the office. Most of them felt anxious about the future. I brought along a string trio to play a calming piece of music outside the office, in the busking formula.

I also brought the musicians to play outside the dormant building site of Anglo-Irish Bank’s colossal planned headquarters on North Wall Quay near the East Link Toll bridge in the Docklands. Since that bank’s fall into disgrace, work has ceased on the site. It now stands as a reminder of both corporate opulence and our country’s crushed confidence.

Sell Your SkillsSell Your Skills

I made this stall in response also to those people I interviewed at the Welfare Office. Most of the felt frustration at being dependent on the Department of Social Welfare for income. Thus I made a source of income that also referred to and indeed promoted the scene of re-learning old skills. In every recession, people learn how to do jobs that they would have otherwise paid professionals to do, and to fix appliances that they would have otherwise replaced. This recession is no exception to that.

In the next ten years, it is likely that world oil production will peak. This means for us that the price of petrol will begin to rise irreversibly. This will cause economic globalisation to reverse, and local production of food and goods will make sense again. The kinds of skills I bought and sold at this stall will become much more useful in such an eventuality. They will make our communities more resilient to economic shocks. Read about movements happening now at the website of  Transition Towns.

I decided that I wanted to not just reflect on the economy, but to participate in it. People could buy skill sheets – instructions on how to do a money-saving job, for €3. They could also write their own and sell that to me for €5, thus making a profit. In the interest of transparency, a large photocopy of my subsidy cheque from the NCAD was displayed with a sliding scale to show how much money I had left to fund the stall’s business. In the graduate show, above, and on the street outside the Social Welfare Office, below (photo by Phil Ryan).

on the street

Dole Theatre A Media Circus

This work consisted of a television mounted on a stack of newspapers. It derived from my feeling that I was using the Welfare Office as a sort of theatre of the recession. I also believed that the media was narrating the recession as a tragic drama story, especially in the period October 2008 to April 2009.

Other relevant websites include, but are not limited to:

We’re Letting You Go…

June 8, 2009
Passers by the dole office

String Trio

making movies on location

NCAD Graduate Show, 6th-14th June 2009.

Monday to Friday 10am-8pm

Saturday 10am – 5pm

Sunday 2pm – 5pm

Sculpture Dept.